Biosphere is the main recording name of Geir Jenssen (born 1962), a Norwegian musician who has released a notable catalogue of ambient music. He is well known for his early “ambient techno” aesthetic and later for his “arctic ambient” style, his use of music loops, and peculiar samples from sci-fi sources. His track “Novelty Waves” was used for the 1995 campaign of Levi’s. His 1997 album Substrata was voted by Hyperreal as one of the all time classic ambient albums. But over the last few years his albums (such as Cirque, Shenzou, Autour de la lune, Dropsonde and N-plants) have embodied some touches of jazz, classical, drone and even some dub-techno. His unique sound signature is quite special : an immense feeling of being absorbed in the cold winter. Suffice to say, in my opinion, Biosphere isn’t just making ambient music, his music IS pristine ambiance only equaled by Pete Namlook from to 1992 to 2012. The music that space colonies would probably play. The soundtrack for Insomnia is also present on this tribute mix, a movie that was later remade by Christopher Nolan. While listening to all of his records ( I buy every one since 1992) I had the feeling of being detached for an extended period of time. Geir Jenssen trancends any genres of music. He adopted Biosphere, as his alias in a nod to many of his compositions having been assimilated into an ‘Arctic Sound’ a somewhat reductive term concerning his work since it is much more than a simple reflection of his environment-he proposes. Animated by attention to detail, rich textures, a natural minimalist aesthetic-aquatic brushstrokes, echoes of distant vessels, and glacial glitches-and other frequency maneuvers, he composes a ‘cinema for the ears’ that irremediably positions the listener in a profound and pensive sonic dimension. His music echoes impressions and slides, and eschews any pretences of rigid formalism or the dichotomy often found between sound and image. His digital manipulations of natural images or extreme situations from everyday life enhance perception, while constituting a genuine invitation to an escape toward infinite horizons. A dual display as unreal and poetic.
Archive for January, 2013
January 11, 2013 2 comments